From the Editor’s Desk

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photo by John Rash

photo by John Rash

John Rash’s exhibit at the Carrack, Chāi Qiān(拆迁): Inevitable Development, and his film, “Yangtze Drift” moved me as a citizen of a developing Durham, but moreover touched me as an ever-developing artist.

Mark Coffman and I frequently mull the importance of negative space within our work. Strunk and White’s dictum “Omit needless words” strikes the same chord for me as Gödel’s proofs on arithmetic. Some things can only be communicated by remaining unsaid.

John Rash can see this negative space and he put in on exhibit in his expressive photos and short films of “old Chongqing.” As I mentioned in a footnote the other day, gallery director, Laura Richie, told me that people inevitably gravitate toward the moving pictures. As I sat in the Carrack for an hour or two during the Durham Arts Council’s Spring Art Market, the evidence bore out her observation.

Yet for all I want to weep for the degradation of culture caused by the increase in the speed of information distribution, as Rash said in his artist’s talk, the short films convey things that the still images don’t. They are subtle. Framed like photos, the camera never moves, instead subjects move through the frame (a technique Rash also employs in tremendous effect “Yangtze Drift” ).

A minute and eighteen seconds of a stairwell and an inner courtyard shocked me as I realized the young Chinese girls on the screen are playing something very much like our local heads’ hack-y-sac. I had no idea that kids in China kicked the hack around; and shallow or not, this exponentially increases my grief at their imminent loss of their playful space.1

This grief is not artificial, even if it may be antiseptic and short-lived. In Durham, I listened to innumerable natives describe this field as their unsupervised free space.

This once was a field...

This once was a field…

 

But as in Chongqing, the story is nuanced. Many people, including the life-long residents, like the new Harris Teeter.

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Chongqing and Durham both feature shacks and gleaming buildings separated by mere blocks.

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Notes

1In another short film of closer to four minutes in length, it was several viewings before I noticed the cat that leaped between balconies above the laundry lines and far off the ground.

John Rash reminds me we live in a world of generalizations and one-off cases.

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“From the Editor’s Desk”

is written by our Editor: Aaron Mandel

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Clarion Content Editor Aaron Mandel, photo by Jessica Arden Photography

Aaron Mandel
Editor in Chief at Clarion Content
Aaron Mandel is a writer and an accomplished public speaker. He is the editor and publisher of the Clarion Content, a multimedia and consulting company. For more than five years, the Clarion Content’s media arm, under Mandel’s direction, has covered Durham’s arts, politics, music, and cultural milieu. From breaking news stories to the hottest local acts, the Clarion Content is on the scene.

Mandel has been published in the Raleigh News and Observer, produced numerous art shows, and was recently a featured speaker at “The State of Publishing” conference held in Durham, NC.

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